We are All Made of Stars & London Cru Chancery Lane Chardonnay

we are all made of stars coverWe are All Made of Stars – Rowan Coleman. New York: Ballantine Books, 2015.

Can a novel set in a hospice be joyful? Can a book about death-bed letters be uplifting? It can when crafted by the capable hands of Rowan Coleman, whose writing style is often compared to Jojo Moyes (Me Before You). During seven days in a London neighborhood, the lives of seven characters evolve from being stranger to companions, friends, and love interest.

Stella, the central character, is a night nurse at the Hospice of St. Francice. She chooses this shift so that she and her husband, Vincent, can co-habit as he struggles with PTSD and alcoholism after losing not only a leg and but also a close friend in Afghanistan. She occupies the long night hours writing letters for dying patients. It is one such letter that gives the book its title: “I am the air, the moon, the stars,” a patient writes to his beloved. “Everything made becomes part of the universe, and everything that is part of the universe becomes us. For we are all made of stars.” Whether the letter’s intent is to apologize, to confess, to advise, or to reassure, Stella faithfully pens them, promising not to mail them until after each patient passes on.

It’s a promise she keeps until she meets Grace and hears her dark secret – a secret she feels Grace should share while she is still alive.

Across the hall from Grace is Hope, a twenty-year-old with cystic fibrosis who is recuperating at the hospice from a dangerous infection. A college dropout, book cover designer, and writer of songs, she is resigned to living her life with her mum and dad, safe from the outside world. Her best friend, Ben, sees it differently, encouraging her to take a chance and embrace life. “When you feel afraid,” he advises her, “go outside at night and look up, because when you do that, and you think of all those other stars out there, nothing on this earth is frightening anymore. Nothing.”

Down the street from Stella’s home lives Hugh – a reclusive historian whose daily routine is interrupted by a new next door neighbor, Sarah. A struggling single mom to a ten year old son, she encourages Hugh to live in the now: “It’s not easy, being in this world. Picking yourself up, getting yourself together, time after time, only for some bastard to whack you back down. But what else can you do, right?”

These seven characters are interconnected by a cat. At the hospice, where he seems to know exactly who needs comforting, his name is Shadow. When he is eating bacon at Hugh’s house, he’s known as Jake. And when he snuggles next to Sarah’s son, he answers to Ninja. In some ways, he is the living embodiment of the book’s theme – the connections between people and the universe that surrounds them. Cats live in the now – a lesson that all the characters learn. “This is what matters,” Hugh realizes. “This moment, this present, this life, this death.”

The book ends, appropriately, with a letter written from Stella to Vincent addressing, among other things, the importance of hand-written letters. “On the page,” she writes, “words become immortal, beautiful, personal, heartfelt, and special. A letter is a memory that will never be lost, will never fade or be forgotten.”

 

My Wine Recommendation

London CruA short trip across town would take these characters to London Cru – a winery based in a former gin distillery in South London. Using grapes sourced from Germany and the south of France, they produce cool-climate wines that have won numerous awards. For a versatile bottle that would please everyone, choose their 2017 Chancery Lane Chardonnay. With a taste more like Chablis than an oaky Napa Chardonnay, the wine is light and fresh with flavors of apples and pears. It pairs well with game, oysters, or even a fresh English garden salad. $20

My Brilliant Friend & Lacryma Christi del Vesuvio Rosso DOC

my brillant friendMy Brilliant Friend – Elena Ferrante. New York: Europa, 2012.

Childhood memories are often dominated by someone like Lila – the one who excels in every subject, the one who throws rocks at bullies, the one who cares nothing about what others think of her including her teachers, the one who takes her best friend’s hand and leads her on big adventures. On the outskirts of Naples, Italy following the Second World War, a brazen friend like Lila can help a timid girl navigate the domestic complexities of her working-class neighborhood and dream about a life beyond the piazza.

Elena Ferrante (the name is a pseudonym of the unknown author) draws perhaps from her (or his) own experiences growing up in post-war Italy to pen the four novels that follow the coming-of-age lives of the narrator, mild-mannered Elena Greco, and her courageous best friend, Lila Cerullo. My Brilliant Friend is the first in the “Neapolitan Quartet” and vividly captures the personality of a community through the antics of children; much like Harper Lee did in To Kill a Mockingbird. From the neighborhood ogre Don Achille, whose presence looms over the novel, to the mad widow, Melina Cappuccio, to the handsome yet cruel sons of the neighborhood bar and pastry shop, Marcello and Michele Solara, Ferrante draws the reader into the tapestry of a story where family poverty and plenty live side by side.

“Our world was full of words that killed,” Elena ruminates. “Croup, tetanus, typhus, gas, war, lathe, rubble, work, bombardment, bomb, tuberculosis, infection. With these words and those years I bring back the many fears that accompanied me all my life.”

The central struggles in the novel center around two factors that determine the girls’ futures – education and money. While Elena and Lila begin as equals as they play with their dolls and enter first grade, it is soon evident that as the daughter of a city hall porter, Elena has more advantages than Lila, whose father is a lowly shoemaker. Elena’s parents agree to pay for a tutor so that she can excel on the entrance exam for middle school, while Lila’s parents refuse the expenditure, feeling that it is time for her to work in the family store. In the years to follow, Elena struggles with her studies and worries about puberty, while Lila embraces shoe design and the growing advances of young men, especially handsome Marcello Solara and the upwardly-mobile Stefano Carraci. Struggle seems bred into the girls since they see so much of it around them. “We grew up with the duty to make it difficult for others before they make it difficult for us,” Elena explains.

Adding to their struggles is their gender. As was often the case for females in the 1950’s, both girls gradually realize how dependent their lives are on the fortunes and misfortunes of men, especially if they wish to escape the confines of their neighborhood. Escape is, indeed, a key theme to the story. Chapter One begins with the adult Elena learning that her old friend Lila has disappeared from her home in Naples – a feat that the young Lila often expressed: “She wanted to vanish; she wanted every one of her cells to disappear.” The final chapter of the story shows the beginning steps Lila is willing to take on her transformation journey.

Elena’s telling the story of their friendship from its inception is her way of recreating what has long since disappeared through the years – two girls who once were inseparable.

My Wine Recommendation

lacryma christiLegend says that when Lucifer was expelled from heaven, he managed to steal a strip of it and bring it with him to earth, so forming the Gulf of Naples. Pained by the loss, Christ began to cry, shedding tears upon Mount Vesuvius. When these sweet tears blossomed the grape vines on the mountainside, they created a heavenly taste: Lacryma Christi. In actuality, the wine that carries the name for Christ’s tears, Lacryma Christi del Vesuvio Rosso DOC, comes from the Sannino winery, founded in the early 1900s on the fertile ground of the Vesuvius near the city of Herculaneum. Their 2016 vintage has an intense ruby-red color with aromas of cherries , raspberries, and black pepper. Naturally, it pairs well with spaghetti and meatballs, Bolognese sause, and pizza Margherita. $17.

Book Pairing: The Diver’s Clothes Lie Empty & Ouled Thaleb Shrah

Diver's ClothesThe Diver’s Clothes Lie Empty – Vendela Vida. New York: Harper Collins, 2015.

You may know the feeling: You arrive in a foreign country after a long, uncomfortable flight. As you accept the complementary drink the flight attendant pours, you fantasize about the man seated across from you. Perhaps you will meet him for dinner one evening and compare notes over a refreshing drink in Rick’s Bar.

The fantasy disappears as you leave the plane, still half asleep from the sleeping table you swallowed with your second glass of wine. As you start the long walk to baggage claim, you feel jetlagged, disoriented, perhaps wonder what made this trip so appealing two months ago when you booked it. You look with judging eyes on a woman who seems unable to stop the shrieks of her child. All you want is deep sleep.

You arrive at your hotel, tip your driver in American dollars, and present your passport and a credit card to the front desk. You return these items to your carry-on. Your body aches for a cold drink, a warm shower and a comfortable bed. But when you reach down to pick up your carry-on, you realize the worse has happened: Your bag is gone – the bag containing your passport, your money, your phone, your camera and your computer. In short everything that contains your identity is now missing. You don’t even have the local currency to make a phone call.

What do you do?

This is the dilemma that begins The Diver’s Clothes Lie Empty, a what-if novel that traces the actions of an unnamed narrator who arrives in Casablanca and finds that in order to survive, she must reinvent herself. Written in second person (you), Vida takes the reader moment by moment through the nerve-wracking, suspense-laden thoughts and actions of the narrator. Like most travelers, the narrator first tries to go through proper channels (i.e. the police) to recover her stolen property. But when the chief of police declares the crime solved and, “like a blackjack dealer giving you his last card”, thrusts a bag with a passport of another woman into her arms, she realizes that “extreme circumstances require radical change.”

The narrator assumes this new identity and begins a Kafkaesque lifestyle of altered identities, first as the woman in the passport whose credit card affords her a much-needed hotel upgrade, then as a stand-in for a “famous American actress” who is filming on location in Casablanca, and later as a reporter following a political candidate deeper into Morocco. With each twist of the plot, the narrator reveals what has driven her from her home in Florida and made her so willing to embrace a new identity.

It is a deep secret, a sadness that propels her further and further into the harsh, unforgiven Moroccan landscape. And in her head are the constant cries of a baby and the deceptive eyes of her sister.

The book’s title comes from a Rumi poem about feeling both present and absent in life, being in the ocean while at the same time dressed in the clothes on the shore, feeling hunted and a hunter. The theme is underscored by the landscape – the blinding sunlight, the exotic scents, the crowded shops, the labyrinth streets, the staggering heat – producing a story that is both entertaining and disturbing.

My Wine Recommendation

oulet_thaleb_syrah_mv_750Such an exotic book requires an equally exotic wine like the 2012 Ouled Thaleb Shrah from Morocco. This bright red has flavors of cherry and pomegranate with a luscious finish of orange zest. Wine experts give it high points for its balance of smoky, spicy and fruity notes. $16.

 

Book Pairing: When the Moon is Low & Biblia Chara Areti Red

when moon is lowWhen the Moon is Low – Nadia Hashimi. New York: Harper Collins, 2015

Since the Russian invasion of 1978, close to six million people have left their homes in Afghanistan to seek asylum. Currently, the country is the second largest refugee-producing nation in the world behind Syria. Many of these people flee to neighboring Pakistan and Iran, but others follow a trail through Turkey, Greece and Italy in hopes of joining family or gaining asylum in European countries like Germany or England. Some make it to safety and a better life; others die dreadful deaths or simply vanish along the way. All endure hardships.

When the Moon is Low is a story of one family’s journey to escape the ravages of the Taliban. It is not a book about politics and violence; it is rather a book about families and love. It begins with Fereiba, a baby whose birth caused the death of her mother. When her father remarries in order to have someone to care for his children, he chooses KokoGul – a woman who soon has four young daughters of her own and whose love is like “powdered sugar on burnt toast.” Like the wicked step-mother of fairy tales, KokoGul treats Fereiba as a servant – not allowing her to attend school or have any activities outside the home.

Finally when Fereiba is sixteen she persuades her father to allow her to attend school. She is smart; she becomes a teacher; she marries a suitable young man who is kind to her; they have three children. But then the Taliban arrive soon after the departure of the Russians. Her husband is taken, and Fereiba is left with nothing except a young daughter, a younger son and an infant with a heart condition.  She finally does what millions of others are doing – she sells everything and begins her journey to England where a younger sister lives. Guiding her like a star is her memory of a man who spoke to her one day as a young girl: “In the darkness, when you cannot see the ground under your feet and when your fingers touch nothing but night, you are not alone. I will stay with you as moonlight stays on water.” She believes this man is her guardian angel.

Village by village, step by step, Hashimi traces the family’s journey. They endure hardships, but they also encounter caring people like Hakan and Hayal Yilmaz who welcome them into their small home in a Turkish farming community. “I nearly sang out with joy when we laid our heads on soft pillows, our full bellies and the kindness of strangers keeping us warm,” says Fereiba. Her son finds work on a farm; his sister helps with housework; they procure medicine for the baby.

They could stay in this Turkish village, but their goal is England and family. They continue their journey. Soon they arrive in the port city of Izmir where they board a freighter to Athens. Here they experience the horror of migrant life. There is no asylum in Greece for refugees; there is no shelter or food or clothing or medicine. Hashimi vividly characterizes the plight of this family through the anguish of Fereiba: “I hold back my tears. I’ve had enough. I’m tired of being trapped. Each morning when I wake and find that nothing has changed, I think I am finished. Were it not for my children, I would be. For them I cannot be finished yet.”

The son, Saleem, a skinny teenager, takes on the mantel of family protector and finds them a room in a dilapidated hotel. “If we hide in a room every time we are nervous, we will never make it to England,” he bravely tells her as he hits the streets to steal food. But soon, their money is gone. They live in squalor, even sleeping at night in a playhouse in a park. Saleem is educated to the life of migrants from others who live on the streets. They warn him to avoid Pagani, the local detention center. “It is a cage,” they say. “Men, women and children go for days without stepping outside. There is no real asylum. You must have work to get asylum. So you need a work permit. And for a work permit, you must apply for asylum. You see the problem?”

Another guardian angel enters their lives in the form of Roksana, a young girl close in age to Saleem who is a volunteer with an aid organization. “The train is the best way to go,” she advises them. “In Europe they do not check for passports.” Fereiba gives her gold bracelets to Saleem to pawn so they can afford four tickets. These bracelets were placed on her mother’s wrists when her parents wed. Her father hid them until it was Fereiba’s time to marry. Without looking back on the life she has lost, she removes her bracelets and sends Saleem to the pawnshop. He never returns.

The last section of the book follows Saleem as he struggles to stay alive and reunite with his family. He lives like an animal relying on instinct.  He watches, he waits, he pounces when the opportunity is right. He also learns much about his homeland. “Afghanistan is a land of widows and widowers,” he realizes. “Orphans and the missing. Missing a right leg, a left hand, a child, or a mother. Everyone was missing something, as if a black hole had opened in the center of the country, sucking in bits and pieces of everyone into its hard belly.” He also learns much about Western countries that treat refugees as invisible. “Somewhere in the world, there must be a place where we will be welcomed as a long-lost sister,” prays Fereiba, “Not stoned away like an unwanted snake in the garden.”

Hashimi takes the title of her book from an Afghan poem “Dropping Keys” by Hafiz. “The small man/ Builds cages for everyone/ He/ Knows. / While the sage,/ Who has to duck his head/ When the moon is low,/ Keeps dropping keys all night long/ For the/ Beautiful/ Rowdy/ Prisoners.”

When the Moon is Low not only puts a face to the thousands of migrants who huddle today in camps in Turkey and Greece and Italy and France, it also shows their hearts.

My Wine Recommendation

biblia-chora-areti-redIf the family were to reunite in a Athens trattoria, they should order a bottle of 2012 Biblia Chora Areti Red.With its deep ruby-red color, it delivers a berry flavor with a hint of cocoa and black pepper. It’s a serious table wine that pairs well with the earthy spices of Greek food.($22)

 

 

Book Pairing: The Art of Hearing Heartbeats & Aythaya White

Art of Hearing HeartbeatsThe Art of Hearing Heartbeats – Jan-Phillip Sendker (Originally published in German as Das Herzenhoren)
New York: Other Press, 2002.

“Do you believe in love?” the old man asks. “Can words sprout wings? Can they glide like butterflies through the air? Can they captivate us, carry us off into another world? Can they open the last secret chambers of our soul?”

Jan-Phillip Sendker does just that in The Art of Hearing Heartbeats. Part contemporary mystery, part ancient fairy tale, the story weaves together two time periods, two cultures, and two lives lived by the same man – Tin Win, a Wall Street attorney who on the morning of his daughter’s college graduation disappears. “I love you, little one,” he tells her that morning. “Never forget that.” Later that day he flies from New York to Los Angeles, from Los Angeles to Hong Kong, and from Hong Kong to Thailand where his passport is discovered in a ditch.

Four years later, his daughter Julia attempts to solve the mystery of why her father left her and why he never spoke of his boyhood in Burma or Mi Mi, his “beloved.” Julie knows of Mi Mi from a love letter she finds written but never mailed by her father. The letter states how Mi Mi has been with him for each of the five thousand eight hundred and sixty-four days since he last heard the beating of her heart. “When the time comes,” he wrote, “I will return.”

U Ba, the old man now seated across from Julia in a Burmese teahouse, promises to answer her questions about her father and his Mi Mi if only she will listen to his tale, and what a tale it is for the young Tin Win that U Ba describes is nothing like the successful man-about-town that Julia knew. This Tin Win is the cursed orphan of peasants who is cared for by a loving, sympathetic neighbor. As a young man he studies with Buddhist monks where one day he meets Mi Mi. Each is physically challenged and as their friendship grows, so does their love – a  love that echoes a fairy tale that Tin Win regularly told Julia as a child – the Tale of the Prince, the Princess, and the Crocodile.

The beauty of the novel is the way Sendker weaves Eastern spirituality with the lush yet impoverished world of Burma, a place that dramatically contrasts with the hurried pace of upscale New York. It’s as if the two exist in parallel worlds – in New York, U Ba observes, people “love to be dazzled” and rely “too heavily on eyes and neglect other senses.” In Burma, people “learn to divine the true nature of things, their substance, and the eyes are rather a hindrance than a help.” Sendker draws together these two worlds and their contrasting priorities to reconcile how a father could leave a child, and in so doing, allow the child to see that there is more to life than is visible.

As Julia undergoes her quest, the reader travels with her not only into an unfamiliar place but also into the soul of the characters, especially the soul of her father who understands the meaning of pure love. In Burma he “possessed all the happiness a person could find. He loved and was loved. Unconditionally.”

My Wine Recommendation

Aythaya WhiteThe Art of Hearing Heartbeats is a joyous book, a fairy tale for adults that brings a sense of happiness that will stay with you for a long time. In addition to the box of tissues you may need as you read, my wine recommendation is Aythaya White from the Myanmar (Burma) Estate.  A lush wine made of 80% Sauvignon Blanc and 20%Chenin Blanc, it has contrasting yet complementary aromas of gooseberries, grapefruit and green apple. Like the story, it delivers a fresh and pleasant after-taste. ($9 when ordered from the estate at http://www.myanmar-vineyard.com.)

 

Book Pairing: Major Pettigrew’s Last Stand & Chateau de Bel-Air

Major PettigrewMajor Pettigrew’s Last Stand by Helen Simonson. New York: Random House, 2010.

It began with the Churchills – a pair of rifles given to the Major’s father by the Maharishi himself after the Colonel saved the spiritual leader’s wife from a riot during the bloody Indian Partition of 1947. The Major was a mere boy then when his family lived in what is now Pakistan, but the honor associated with these fine guns is still a point of pride for the Major. He has long dreamed of walking the fields with the local aristocracy, the Churchills broken across his arm and ready for the hunt.

On the Colonel’s death bed, the Major and his brother Bernie were each given a Churchill with the understanding that the pair would be reunited upon their deaths and passed on to Roger, the Major’s son and sole heir to the family name. The Major takes such pride in the proper execution of family matters that he often opens his small iron strongbox, spreads out the thick pages of his will and reads over the list of assets and distribution. “It reads like a list of achievements.”

So it is to be expected that on the day of Bernie’s death, a moment that pains the Major with great grief, his thoughts naturally go to the reunion of these guns. They must be cared for – their stocks polished to a sheen, their barrels oiled, their triggers at ready. But there’s a problem – Bernie has left his estate to his wife Marjorie without any mention of the father’s directive, and all she and her daughter – and Roger, too, for that matter – can think of is the money the guns will fetch, especially if sold to an American businessman who is buying his way into the English gentry.

But the Churchills are not the only concern disrupting the Major’s carefully manicured life. He finds himself drawn to the elegant Mrs. Ali – the Pakistani shopkeeper at the local convenience store where he buys his tea and a widow like himself. They share a love of books, especially Kipling, and a familial connection to Pakistan. But therein lays the rub: the locals don’t approve of immigrants (Mrs. Ali was born in Sussex, but never mind), and even the Major wonders whether his growing attraction to her is proper. “They pretend to be English. Some of them were even born here. But under the surface were all these barbaric notions and allegiances to foreign customs.”

Helen Simonson’s witty and touching story blends generational, cultural, class and gender conflicts into a delightful read, especially when these elements collide at the annual golf club costume party.  Wanting to trump last year’s successful ‘Last Days of Pompeii’, the planning committee, composed of every gossip and old bitty in the neighborhood, chooses to blend Bollywood with a reenactment of the Colonel’s famous heroic efforts, complete with the gift of the Churchills.

As might be expected when cultural differences are mixed with great quantities of alcohol, the evening ends in disaster, and Major Pettigrew confronts a dilemma: Should he follow his heart and pursue Mrs. Ali, who was humiliated by the offensive pageantry and struggles with her own family traditions, or accept that the world is, indeed, made up of us and them?

For anyone who has lived in a small community where one’s every action is scrutinized by others, Major Pettigrew’s Last Stand will seem familiar territory. Chocked full of characters – from the twittering next-door neighbor to the crass American to the obnoxious son – the novel has an enjoyable blend of humor, hubris and a happy ending.

My Wine Recommendation

Chateau de Bel-airMajor Pettigrew is a traditionalist, so when he has wine with dinner, it must be a proper claret. To the British, that means a French Burgundy. My recommendation for the Major and Mrs. Ali is the 2015 Chateau de Bel-Air, Lalande-de-Pomerol. It has a seductive floral nose with violets and jasmine and tastes of red fruits and sweet spices. $25

 

Book Pairing: Rules for Lying and Fainting Goat Republic

Anne's coverRules for Lying – Anne Corbitt. Cape Girardeau, MO: Southeast Missouri State University Press. 2016.

The rules seem easy: Keep the details simple. Never underestimate the power of denial. Tell the truth about everything except what you want to hide. Don’t say more than you have to.

But when these rules are enacted by a community of educators, parents and students, what is true and what is false becomes complex. Anne Corbitt’s debut novel speaks to the social and psychological repercussions of lying in a story as current as today’s Twitter feeds. Set in a suburban Atlanta community, sophomore Langley lures boyfriend Kevin to a hidden area in the locker room for some after school personal time. But when custodian Oliver discovers their tryst, Langley claims rape. Complicating the situation is Oliver’s daughter, Eleanor, who (a) told best friend Lindsay about the private spot and (b) has an equally strong crush on Kevin, calling him “first, like the front seat of a car.” Parents are notified; students choose sides; chaos erupts.

One strength of Corbitt’s novel is the way she nails the subtle details of high school – the smells of the hallways, the cafeteria food, the marching band practice, the motivational posters in the counselor’s office. All these details and more pull the reader to a time and place full of hall passes and locker combinations that never seem to change. Set in the late 1990’s, Langley may not be cyberbullied, but the notes pushed under the front door of her home are just as frightening. The same applies to Kevin. He may not own a cellphone with internet connection, but his desire to run from his problems, including a father who believes the worse in him, is just as true for Kevin as any 21st century teen.

Like the ripples that spread when a rock is thrown into water, the he-said / she-said nature of the plot travels outward exposing other lies. Divorced father Oliver secretly spies on his ex who cheated on him with her Yoga instructor. Kevin’s mother Grace still longs for absolution from making a false claim of rape against a college professor. Principal Carter is on the verge of running away with the school counselor. All the kids seem to sneak vodka from their parent’s well-stocked liquor cabinets. As the police investigate, lawyers are retained and the community takes sides. Soon the matter seems no longer an issue of who to believe than how to survive a media onslaught, something public schools never do well.

Rules for Lying is also about change – the way that time shifts perspective on the causes and effects of calamity. “Once a man could point to a problem and say there, that’s it,” ponders Oliver. “But now trouble snuck from any direction . . . Families split open. Men took things that didn’t belong to them. Children slipped their underwear past their knees, and strangers invaded schools with firearms.”

His comment seems bleak, but Corbitt’s book is positive. Each character emerges from their personal crucible stronger, wiser, and better able to face what comes next.

My Wine Recommendation

republicAt the end of a difficult week, both Langley and Kevin’s parents deserve a bracing drink or perhaps a visit to a regional winery. Thankfully, north Georgia has several good ones to choose from. One of my favorites is Fainting Goat near Jasper. The name itself would encourage the parents to laugh at life’s problems as they take in the panoramic mountain views and drink the vineyard’s most popular wine: Fainting Goat Republic. Aged in French oak barrels, this red is produced from Italian grapes and has flavors of blackberry and vanilla. $38.

 

Book Pairing: Tomato Rhapsody & Castello di Meleto Chianti Reserva 2012

tomato rhapsody

Tomato Rhapsody: A Fable of Love, Lust
& Forbidden Fruit

by Adam Schell.
New York: Delacorte Press, 2009.

If ever a fruit was cultivated that pairs well with wine, the tomato is it. Slice it on a sandwich, ladle it on pizza, toss it with pasta, or layer it between mozzarella and basil with a drizzle of olive oil, the tomato simply cries for a glass of vino.

In Tomato Rhapsody, make that a full bottle as the story of the humble tomato is elevated to the height of Bacchus himself. Set in 16th century Tuscany, the story follows the love-at-first-sight meeting between Davido, a young Ebreo (Jewish) farmer who cares for his tomato plants so much he sleeps beside them, and Mari, a beautiful Catholic girl who has an equal passion for growing olives.

“Lush, round, slightly ribbed, a shade of red unmatched in all of nature, with a melding of yellow,” alas, the sexy tomato is considered by good Christians to be the fruit of the devil. Thus, theirs is a forbidden love united by a forbidden fruit.

For the Jewish settlers to remain and flourish in Tuscany, they must educate their neighbors to the tomatoes’ rich goodness. That opportunity comes at the Feast of the Drunken Saint – a festival that, among other things, pits one’s stamina for drinking wine against one’s ability to stay on the back of a donkey . . . with one’s hand tied behind one’s back . . . pummeling one another with the free hand . . . for twelve laps around the town square. All villagers agree it’s the perfect way for Davido to prove his worthiness to Mari.

But as Shakespeare would say, “A happy ending cannot come in the middle of the story,” for like a Shakespearean comedy, the lovers must go through much more agony before reaching the happy every after when they learn, “The truth my heart tells me looms above, that if we choose each other, God will protect us, for God is real and God is love.”

In many ways, Tomato Rhapsody reads like it was written by the Bard. The villagers speak in rhyming couplets, the humor is bawdy, the structure follows a three-act play, and there’s even a fool who delivers asides. Rounding out the cast of villagers is a Padre whose appetite for food surpasses his love of God, an evil stepfather determined not only to sell off his step-daughter to the highest bidder but also take over the fertile farming land owned by the Jews, a ready knave to do his bidding, and a ruling lord who descends from “a long line of inbreeds, half-wits, perverts, pedants, scoundrels, tyrants, sodomites and syphilitics.” (No wonder he wants to become a humble peasant.)

Since the novel is based on the introduction of the tomato to Italian cooking, the author sprinkles the book with recipes such as Mari’s One-Pan Roasted Tomato Sauce with Black Olives and the Good Padre’s Lemony Tomato & Mink Panzanetta Salad.

Family, tradition, religion, love, food, wine. Tomato Rhapsody hits all the right notes for an enjoyable summer read. Buon Appetito!

My Wine Recommendation

castello di meletoOne of the oldest and most esteemed vineyards in Tuscany (established 1256) is Castello di Meleto, and their2012 Chianti Riserva Vigna Casi is the wine to drink. This single-vineyard Riserva has the dark color and dense concentration of flavors you would expect from Chianti, but it also has a soft side that brings notes of cherry, blackberry and spice. Our lovers would approve. The 2012 reached its maturity in 2015 so it can be drunk now. $30.

 

Book Pairings: A Nearly Perfect Copy & Mumm Napa Brut Prestige

 

A Nearly Perfect Copy

A Nearly Perfect Copy
by Allison Amend
New York: Random House, 2013.

Is a lie ever justified? Can deceit lead to happiness?  Allison Amend examines this tangled web in a story set in the art world. Elm works for Tinsley’s, a New York auction house established by her grandfather. She has “the eye” – the ability to see art as if through the eyes of the artist, a “transubstantiation” that seems spiritual as if she hears the art speak. Her area of expertise is seventeenth- through nineteenth- century drawings and prints, which makes her “the go-to person for a New York Times quote, the one who took big clients to dinner, a member of the board of trustees of two museums and the art consultant to a trendy, invited-members-only downtown social club.”

But Elm’s eye has suffered since a 2004 vacation in Thailand when her son was lost in a tsunami. Somehow she managed to make it to the shore with her daughter but her son, Rolan, was never found. Her husband was right beside him. She knows it wasn’t Ian’s fault, after all, some 240,000 were killed, but could he not have saved one little boy?

At an art patron’s home, she meets a couple who loved their Rhodesian Ridgeback so much they’re investigating having him cloned. It’s an audacious idea, but her depression is so great, her grief so deep, that it gets her thinking.

In Paris, Gabriel is the quintessential starving artist. A graduate of a prestigious art school, his gift is his ability to create derivative drawings of masters, especially the Spanish painters of the late 1800’s. He knows how to prime canvasses with gesso, making them so smooth the paint glides. He knows how to mix his own colors – “stark cobalt, aquamarine nearly glowing, or a navy, so dark, as to masquerade as black” – the colors so often used by the artists he emulates. When he takes brush in hand, he channels these painters onto the canvas. Compared to his original art which has been described by teachers as lacking inspiration, voice or spark, these works glitter.

Through his girlfriend, Colette, who also works for Tinsley’s, he receives a proposition from her uncle – create canvasses in the style of the Spanish masters for a client who is furnishing a hotel. Such a simple job; what easy money. Why shouldn’t he finally make his art pay? How could he possibly know that it is destined for a New York auction house?

A careful reader can see where Amend is going with this story. Like Faust, each character makes a deal with the devil. Elm is so deep in deceit that she doesn’t question the art that crosses her desk. If she wants to recreate her son, she needs lots of money for the exclusive French doctors who do the procedure. In contrast, Gabriel simply wants to hold onto his girlfriend, pay his rent and get some respect in the art world. He’s torn, but it’s better than selling canvases beside the Seine.

Amend complicates the plot even further by overlaying Elm and Gabriel’s story with the continuing effort by US and French authorities to reunite art taken by the Nazi’s to the families of the owners. It seems the uncle not only wants to pass off Gabriel’s work as authentic but also to claim it was recovered stolen property. His logic is seductive: “Say you borrow twenty euros from someone. Then you pay them back. Does it have to be the same twenty euros?”

As Elm and Gabriel consider their options, the reader gets an insider’s look into the world or at and art forgery. It’s big business. While the central characters are at times dislikeable, the minor characters fill in the spaces their conscience has skipped. Lying is a web but a seductive one. A Nearly Perfect Copy is not a perfect novel, but it’s close enough for an enjoyable read.

My wine recommendation:

Mumm-BrutPrestige-LG_e3b4Ah, the French aperitif. What a wonderful ritual. Whether shared with friends before a meal or at a book club meeting, my favorite is Kir Royale. In a fluted glass, add crème de Cassis or Chambord liqueur to champagne. Save the Veuve Clicquot Brut Yellow Label for another occasion and choose instead Mumm Napa Brut Prestige. Its fresh apple aromas will balance nicely with the black current of the Cassis and its price will satisfy both your palette and your wallet. Santé! ($22)

 

 

 

Book Pairings: Miss Jane & Muscatine Rose’

Miss-JaneMiss Jane: A Novel
by Brad Watson
New York: W. W. Norton & Company, 2016

Jane Chisolm fears few things. Not snakes or coyotes or screeching owls or cyclones or lightening or God or even her own strangeness. Her entry into the world takes place in central Mississippi in 1915 with the aid of Emmalene, the midwife, and Dr. Thompson, who hitches his wagon to the porch railing just in time to see the crowning head of what he hopes is the last child for the parents. Fifteen minutes later, as he holds a lantern over the crying baby, he sees something that gives him pause. After he is fed a plate of chicken and dumplings, he rides back to his house with a jar of homemade whiskey tucked at his feet as payment for his services and ponders how to help the helpless baby. In the years to come, he becomes Jane’s closest friend and medical advocate. But for now, his thoughts echo the words of the baby’s father: “Good lord. What trouble have we gone and brought into this world now?”

In a novel that is equal parts haunting reality and delicate beauty, Brad Watson tells the story of Miss Jane, born to live a hard scrapple, isolated life due to a rare genital malformation that makes her both incontinent and incapable of conception – conditions that render her a social outcast. Watson modeled the character after his own great-aunt, Mary Ellis “Jane” Clay.

At its heart, Miss Jane is a book about character and how people, when confronted with life’s limitations, either fall under the weight or bear the load and move on.

Jane’s parents are already heavy-hearted before Jane enters their lives. Ida still grieves the loss of her favorite child, William, who died at three. Her grief has turned her into an angry, bitter woman with dark thoughts who, on the night Jane is conceived, only remembers waking “in a rage of silent tears.” Her husband uses work and whiskey to quieten a similar rage in his heart. As a toddler, Jane is basically left to the care of her sister Grace, who at the age of ten, witnessed the birth. Until the child can learn how to care for her own “accidents,” Grace is the one who changes the diapers or allows her sister to run about the property with a bare bum. While at first such an upbringing seems cruel, to Jane it feels like liberation. She loves being in the woods with just the pecking of the birds and forest animals, “the flutter of wings, the occasional skittering of squirrels.” She feels comfortable there, “as if nothing could be unnatural in that place within but apart from the world.”

Later, when she persuades her mother to allow her to attend school, she quickly realizes and accepts that she is different. Her solution is to spend time exclusively on the family farm. She teaches herself to read with books from Dr. Thompson and learns to count by managing the till of her father’s country store. She learns about creation from her observations of the farm animals. Watson describes Jane’s relationship with nature as one might talk about a lover – the soft skins of wild mushrooms, the tight and unopened bud of a flower blossom

By the age of sixteen, she is tired of being alone, which segues to the most loving and tender part of the book – her attraction to Elijah Key who lives on a nearby farm and his mutual attraction to her. Carefully watched over by her father, she attends community dances and learns the pleasure of flirtation. But her joy is short-lived when Dr. Thompson reminds her of how cruel it would be to lead the young man on with no hope of bearing children with him.

Then the crash of ’29 comes. Years pass. Grace moves to town. The farm fails. Ida grieves. Chisolm drinks. Dr. Thompson still tries to find a surgeon who can correct Jane’s condition. Possible suitors come and go. Crows angle over fields; hawks hover for mice; light cold breezes blow; pecans grow in neglected groves. Throughout it all, Jane lives her life – lonesome, yes, but at peace. She learns that life doesn’t require perfection to be lived to its fullest.

“If you get down to it,” Dr. Thompson tells her toward the end of the story as they watch a flock of peacocks in the yard, “You’ve had love. And as I understand it, once you have something like that, you have it forever.”

It is a tender moment between a widower whose own marriage was not filled with love and a woman who knows far more about love than many more experienced in its arts. The scene is a fitting ending to a story that touches the heart from start to finish.

My wine recommendation:

old-south-winery-miss-scarlett-sweet-muscadine-rose-mississippi-usa-10325204While Miss Jane sometimes drank her daddy’s apple brandy, I think she would also find to her liking Old South Winery’s Sweet Scarlett Muscatine Rose. Made from grapes grown in Natchez, MS, the wine is similar in color and sweetness to White Zinfandel and goes great with party foods, desserts or just sipping on the front porch. $10